Oliver Twist, the
Orphan Child
1. His physical
construction: reason to worry
2. His emotional
responsiveness: reason to pity
3. His strong,
decisive character: reason to hope
The time
is Victorian England, during the Industrial Revolution and the resultant
population explosion. It is a society
beset by social ills beyond the ability of its institutions to remedy,
populated by the poor, the disenfranchised, and the orphaned young. It is a society in need of reform and
reformers. It is the society into which
Charles Dickens is born, destined to be a voice calling for reform, challenging
the members of the middle class to look about them and see—really see—the
suffering of the poor.
Fortunately
for twenty-first century readers, Dickens was a reformer who used the power of
imagination and figurative language rather than the sermon or political
speech. His message is embedded in the
characters, conflicts, and intricate, improbable plots of more than a dozen
books that call us to have compassion for the downtrodden, to express
indignation for their oppressors, but also to feel hope because of the honest
and simple human goodness that comes to the rescue in story after story—and
because of the resilient tenacity of so many of his protagonists. One of the most unlikely of these is the
young hero of Oliver Twist, “the item
of mortality” whose adventures have captivated readers of many generations.
Oliver
is introduced to the reader immediately as a weak and fragile infant, unlikely
to survive the hazards of his own birth, at which he “breathed, sneezed, and
proceeded to advertise the fact of a new burden…imposed upon the parish”
(2). From the beginning, he is “a pale
thin child, somewhat diminutive,”(5) encrusted with layers of dirt, and with
“tears…lingering in his eyes” (9).
Perpetually underfed, he becomes so “desperate with hunger and reckless
with misery”(12) that he willingly steps forward to
plead for another serving of gruel.
Oliver’s
appearance ends up inspiring pity in not only the reader, but also some
influential characters in the child’s young life. When he stands trembling before the board of
the work house, the old gentleman observes with concern, “My boy! You look pale
and alarmed”(19), and thus Oliver is saved from a
terrible fate. Eventually, even the
callous Mr. Bumble is touched by his plight, “regarding Oliver’s piteous and
helpless look” (25). But it is the
response of Mr. Sowerberry, the gaunt and solemn
undertaker, to Oliver’s size and sorrowful face that determines his immediate
destiny, for he recognizes in the pale little boy a perfect mourner to attend
funerals and inspire appropriate sympathy……………..