American Literature Assignment #17

January 29, 2008

1.  Reading:  Welcome to the poetry circle!  Each of you will choose from among the following a poem of at least ten lines—you may combine shorter poems, or you may form a group to do a longer poem.  You will memorize the poem to recite for the pleasure and enlightenment of your fellow students on February 7—huzzah! 


1.  Thanatopsis                                    page 87

 

2.  Hamatreya                                      page 100

3.  “The Snowstorm”                                               page 102

4.  “Give All to Love”                                             page 106

5.  “Concord Hymn”                                                page 118

 

6.  “Telling the Bees”                                              page 127

7.  “The Slave Ships”                                               page 137

8.  “The Christian Slave”                         page 141

9.  Yorktown                                        page 142

 

10.  “A Psalm of Life”                             age 144

11.  “The Wreck of the Hesperus”           page 145

12.  “The Sound of the Sea”                     page 152

13.  “The Children’s Hour”                      page 156

14.  from “Evangeline”                            page 162

15.  “Hiawatha’s Fasting                        page 163

16.  “Paul Revere’s Ride”                         page 171

 

17.  “The Raven”                                    page 185

18.  “The Bells”                                       page 191

19.  “Annabel Lee”                                  page 198

 

20.  “Ballad of the Oysterman”                                page 201

21.  “The Chambered Nautilus”                                page 202

 

22.  “Salmon Brook”                                               page 218

23.  “My Life Has Been the Poem”         page 220

24.  “Any Fool Can Make a Rule”            page 220


2.  Vocabulary:

1.  Bravado:  A show of bravery or defiance, often intended to make an impression or mislead someone.

2.  Brogue:  A strong dialectical accent, especially a strong Irish or Scottish accent in English.

3.  Brusque:  Abrupt and curt in manner or speech; discourteously blunt.

4.  Byzantine:  Highly complicated; intricate and involved.

5.  Cacophony:  Jarring, discordant sound.

6.  Camaraderie:  Goodwill and lighthearted rapport between or among friends; comradeship.

7.  Capricious:  Characterized by or subject to whim; impulsive and unpredictable.

8.  Carte blanche:  Unrestricted power to act at one’s own discretion; unconditional authority.

9.  Catch-22:  A situation in which a desired outcome or solution is impossible to attain because of a set of inherently contradictory rules or conditions.

10.  Caustic:  Incisively critical or sarcastic; cutting. 

 

3.  Writing:       Your next essay will be an exploration of American Romanticism.  The essay will begin by defining the movement and discussing its characteristic elements.  It will discuss two of the authors or poets that we have read, giving relevant information about their lives, educations, and historical context.  Your thesis will focus the paper on a single salient part of the topic: i.e. a religious view, a philosophical attitude, a political movement, etc.  (2,000 words; due February 19).

            In order to write an intelligent and informative paper, you will consult at least four outside sources of information, not including Wikipedia.  You will follow MLA guidelines for documentation.  Papers that are submitted without in-text parenthetical notes and works cited pages will receive a grade of F, regardless of brilliance.

            Your outline, thesis statement, and introduction are due Thursday, January 31.  The Works Cited page and at least 10 note-cards are due on Tuesday, February 5.  A completed rough draft is due on Thursday, February 14 (happy Valentines Day!).

           

Step by Step to an Essay!

 

  1. Choose a topic/ Thesis:

Your topic is American Romanticism, a shift in thinking and expression that characterizes the literature and art of the early 19th century: from approximately 1800 to 1860, or the beginning of the Civil War.  It corresponds to the same philosophical shift in Europe, although there, it began somewhat earlier.   On both continents, much of music, art, literature, philosophy—even politics and religion—reflect the romantic ideas.

The authors and poets we have been reading and enjoying for the last three months are representatives of this movement:  Hawthorne, Melville, Whittier, Poe, Emerson, and Thoreau are just a few of the many American Romantics.   Yet although they are all classified as “members” of this school, their ideas are unique, sometimes even in conflict with each other.  Indeed, some of these people would have denied any significant connection with some of the others.

As you will discover in your research, there are a number of common characteristics that can help us identify Romantic writing.  For example, the Romantic thinkers tended to be optimistic about Man and his potential—they appreciated the moral and intellectual power of individuals to follow their “inner light” to discover Truth and reform society.  They also tended to focus on the individual rather than institutions—hence, they believed that it was more reasonable to search for God in solitude and in communion with Nature than within the walls of a church.  As a matter of fact, combine their respect for Man and their distrust of institutions, and find the common (but not universal) sense that God is everywhere in every man—a sort of intellectual pan-theism.

Another tendency of the romantics is to trust imagination and intuition more than intellectual discourse and proof.  This was, perhaps, a response to some excess of the Enlightenment—and a fascination with the mysterious writings of the East, newly translated and available to Western scholars.  Interestingly, the waves of revival in Christianity, from Wesley to Finney, also emphasized the individual’s emotional engagement with God.  Very interesting—too vast for us to resolve here!

So look for an emphasis on Nature, on emotion, on common people, and also on the past.  The romantics typically idealized “the good old days” of chivalry and virtue.  They incorporated elements of folklore, native languages, and folk music in their writing and art.   And not only the past, but also children were “romanticized” by these writers.  Wordsworth, the British poet credited with “inventing” much of this trend in poetry, in his poem, “My Heart Leaps up When I Behold,” said, “the child is father of the man.”

When I think of my Romantic favorites, though, the quality that comes first to my mind and that draws me back to their writings again and again is their passionate desire for depth and their unresolved, persistent inquiry after Truth.  When you have read these writers—and re-read them—think back on their conclusions.  You are likely to remember the many questions, and the few final, dogmatic answers.  Think about it—is Hester redeemed?  Is Pearl cursed?  Does the narrator find peace?  Is the whale a malicious force?  Is he an agent of God?  Whose foot is on the treadle of the loom? Is Ahab insane?  Does God ordain Ishmael’s quest?  Does the Raven know what on earth he’s talking about???

In your essay, you will focus on some element of Romanticism that is interesting to you and on two writers, philosophers, religious figures, reformers, musicians, or artists whose work involves it.  Your paper will explore and define the elements of Romanticism, giving specific examples from literature and commenting on them.  (599 words)

 

 

 

  1. Carve an Outline in Traditional Outline Form:

 

 

 

 

 

 

 

 

 

 

 

 

 

  1. Hunt down Sources of Information:

Where, oh where, do I look for information???  The world is full of information about this period of history.  Here are some places to hunt:

                ~Look into the index of  a good book of American history for any of the following topics:  romanticism, the Second Great Awakening, Transcendentalism, Brook Farm, Bronson Alcott, Ralph Waldo Emerson, Henry David Thoreau, Herman Melville, Nathaniel Hawthorne, Harriet Beecher Stowe, the Fireside Poets…

                ~Open a good high school or college anthology of American literature (go to the library!)  The Norton Anthology is the very best.  Again, consult the index.  Read the essays that introduce the sections on Romanticism and the individual writers. 

                ~Go to the internet and enter the same terms into your search engine.  When you find an article, ascertain whether the author of the article is reliable and scholarly—you will probably find some great essays on college and university websites or on the websites of English professors.  Remember that you can not trust information that does not identify a reliable source!

 

  1. Transfer pieces of Information from sources to Cards:

&    Invest in a package of 3x5 index cards on which to record your notes.  Each card will become the repository for the following tidbits:

                1) The name of the source (indexed to your Works Cited List).

                2)  The page number where the information is to be found (if there is one)

                3)  The topic on your outline to which this information applies.

                4)  One bit of information, in your own words, abbreviated.

&    Organize the cards in the order in which they correlate to your outline.  Add index cards to indicate the outline topics.  Put them into a cute little box for safe-keeping.

 

  1. Compose a Works Cited Page:
  2. Write the Essay, Section by Section:
  3. Reread, Edit Ruthlessly, rewrite, Print: